Justine A. Chambers
Justine A. Chambers is a dance artist living and working on the unceded Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations. Her movement based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with dances that are already there – the social choreographies present in the everyday. Her recent choreographic projects include: Waking Hours, And then this also, One hundred more, tailfeather, for all of us, it could have been like this, ten thousand times and one hundred more, Family Dinner, Family Dinner: The Lexicon, and Semi-precious: the faceting of a gemstone only appears complete and critical. Chambers' work has been hosted by Sophiensaele (Berlin), Contemporary Art Gallery, Morris and Helen Belkin Art Gallery, Agora de la Danse (Montreal), Cantor Fitzgerald Gallery (Haverford College), Canada Dance Festival (Ottawa), Nanaimo Art Gallery, Artspeak, Burrard Arts Foundation, Mile Zero Dance Society, Dance in Vancouver, Festival of New Dance (St. John's) and Art Museum at University of Toronto. Chambers is the recipient of the Lola Dance Prize (2018), and was selected for the Visiting Dance Artist Program at the National Arts Centre (2018-2019). Chambers is currently Artist in Residence at SFU’s Community Engaged Research Initiative (CERi). She is Max Tyler-Hite’s mother.